To put it lightly:
"the ideological & evolutionary Calvary of musicant Müfgli08o8,
is paved with sin & depravation. Its biggest weakness being also the purest creative incentive - deep well of frustrations, gives a-plenty of adrenaline fueled musik-based revenges. (Or, at least zhe thinks of it, and the sheer quantity of author's work is solid proof. Lot of musik, lot of glitchy stuff, that needs to leave the Atelier! As French would say: 'des trucs'
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It's layered and laid upon /__∆dul†___wºwºwº__0b5e55iv3n3s5__/ compulsive sifting, swiping, saving, the mental 'casserole', more than obviously, means to itself. Just the constant flow, of electrone-based carnality, alternating with equally repetitive chains of graphics/sampling. The roof: closing the lasagna-like intermitency covered with thick crust of creative work, wet clumps of muzik, sound experiments served on-a-cob , vocals vibratto, nasal and guttural, overtone khoomei, rolls and rolls of guitar harmonies (no rocks), and 1001+1 Nights of auditive restoration, restructuring, and (K)remastering - sprayed everywhere except where the doves cry.
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ParthenoGenetics in principio: making, streaming musik for gamez, because zhe was mesmerized by a recoub-d nakid specktre of sorts! Or to be honest, yes, by thePose too - but much more hypnotized by flowing, repetitive, slow drum(machine) fills, over raucous, dissassociated female voice of -dead-inside-already-tonality, declamatio 'punish me for fun' (later revealed, song by poison arena) achieving the level of jaded & blasiert, close to transcendence - and what is close to transcendence - is also close to reincarnation!"
quote from:
Gay Delbord "Thinking while drunk, and other texts" samizdat (undated), Chapter IV "Merlotto, amico mio" p.261-278